Mastering Preparation
Preparing Mixes for Mastering
Please send a link to this section to your mix engineer, or read on if you are mixing yourself. ​
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Format:
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Please use WAV or AIFF format.
Sample Rate:
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Please bounce/print the mix at the sample rate of the recording/mix session.
Bit-depth
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Please bounce/print mixes at a bit-depth of 32-bit (or 64-bit) float without dither, where possible.
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All modern DAWs use these bit-depths internally, regardless of recording settings.
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Rendering/bouncing at 32-bit is allows for best practice in terms of dither and dynamic range.
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24-bit (and 16-bit if necessary) dithered files are okay if this isn't possible.
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Exporting 24-bit or 16-bit files without dither will cause truncation, which can be problematic, particularly on 16-bit files.
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Using a 32-bit float file ensures the greatest amount of dynamic range is upheld and dithering is only done once at the completion of mastering.​
Mix Buss Processing:
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Please feel free to process your mix buss as you wish.
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My one ask that you refrain from any heavy clipping or limiting on the mix, as this makes achieving a great, controlled master hard to achieve. However...
Mix-Master References / Demo Masters
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Feel free to provide any 'demo masters' the client may have been listening to, or that reflect your vision for the master. This can include whatever processing you like, that I can aim to replicate for the final master.
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Note to Mixer​:
I will do my very best to follow on from your intentions for the song/mix, and rest assured I only make changes if I hear something that I feel needs doing. I never add processing for the sake of it, only after listening and understanding.
​Thank you!​​
Pre-Upload Checklist
Before uploading files, please check the following:
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Verify Mixes:
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Ensure the mixes are the correct version by triple-checking/listening to them before submission.
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Please check for any clicks/pops/glitches - these are easier to go in and fix at the mix stage due to being able to isolate individual instruments.
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Please genuinely triple-check the mix(es) to make sure you are completely happy:
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Changing the mix version later may result in additional charges due to the extra time required - please see FAQ for more detail.
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Confirm Format:
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Confirm that all mixes are in WAV or AIFF format, and not a compression version e.g., MP3 or AAC.
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Please make sure files have not been converted from MP3 or similar beforehand, then back to WAV - critical audio data is lost doing this. Converting from WAV to MP3 is destructive, meaning data is lost and it cannot be reversed.
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Be aware that sending mixes across certain services, e.g., Apple Messages, causes this conversion without telling you.​ Using a well-reputed transfer service such as WeTransfer or DropBox directly from the mix file is safest.
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Limited Mixes/Demo Masters:
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If the mix engineer provided any limited mixes (also known as demo masters), please include these.
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If these mixes are not clearly identified by the file name, place them in a separate sub-folder named "MIX REFS."
Track Title Naming:
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Please do not rename any mix files provided by the mix engineer. Keeping the original file names is important for troubleshooting and reissuing mixes if needed, and means if a new mix has to be issued, it can be clearly distinguished from the original.
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If the mix file names do not clearly relate to the track titles, please note which file corresponds to which song during the form filling process.​
Uploading Files
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Once you've completed the checks, you're ready to upload your mixes for mastering!
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You can organise the files as you prefer, but if you have any of the following, I recommend using separate sub-folders for any limited mixes, demo masters, alternate mixes (such as instrumentals or radio edits), and/or reference tracks. This helps avoid confusion with the main mixes intended for mastering.
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Ensure all files and sub-folders are placed in one master folder. After organising, please compress the folder into a ZIP file (please use ZIP, not RAR).
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This process helps prevent errors during upload and protects the files' metadata when transferring via cloud services.
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You can either request a file upload link or provide a direct link to your files using your preferred file transfer service. You'll be presented with these options in the pre-mastering form.
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If you send your own link, please ensure it is a direct download link that does not require an account or access request. You can test this by using your browser in private/incognito mode.
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I recommend using WeTransfer or Dropbox, both of which offer free versions with 2GB of storage.
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For larger transfers, if you don't have access to a suitable service, you'll need to request a file upload link. However, 2GB is usually sufficient for sending mixes, unless there are many songs at high sample rates.
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